|Teacher of General Yue Fei|
|Known in English as:||Jow Tong, Chow Tong, Chou Tung, Zhou Dong, and Zhou Tong|
|Hanyu Pinyin:||Zhōu Tóng|
|Cantonese:|| Jau1 Tung4|
|Fictional nickname:||Iron Arm|
|Hanyu Pinyin:||Tiě Bèi Bǎng|
|Wade-Giles:||T’ieh Pei Pang|
|Cantonese:||Tit3 Bei3 Bong2|
Tit3 Bei3 Pong4
Zhou Tong (Plantilla:Zh-c and 周侗; pinyin: Zhōu Tóng; d. late 1121 CE) was the archery teacher and second military arts tutor of famous Song Dynasty general Yue Fei. Originally a local hero from Henan, he was hired to continue Yue Fei's military training in archery after the boy had rapidly mastered spearplay under his first teacher. In addition to the future general, Zhou accepted other children from Yue's village as archery pupils. During his tutelage, Zhou taught the children all of his skills and even rewarded Yue with his two favorite bows because he was his best pupil. After Zhou's death, Yue would regularly visit his tomb and perform unorthodox sacrifices that far surpassed that done for even beloved tutors. Yue later taught what he had learned from Zhou to his soldiers and they were successful in battle.
With the publishing of Yue Fei's fictional 17th-18th century biography, The Story of Yue Fei, a new distinct fictional Zhou Tong emerged, which differed greatly from his historical persona. Not only was he now from Shaanxi; but he was Yue's adopted father, a learned scholar with knowledge of the eighteen weapons of war, and his personal name was spelled with a different, yet related, Chinese character. The novel's author portrayed him as an elderly widower and military arts tutor who counted Lin Chong and Lu Junyi, two of the 108 outlaws on which the Water Margin is based, among his former pupils. A later republican era folktale by noted Yangzhou storyteller Wang Shaotang not only added Wu Song to this list, but represented Zhou as knight-errant with supreme swordsmanship. He also shares the nickname "Iron Arm" with the executioner-turned-bandit Cai Fu and even claims the bandit Lu Zhishen as his sworn brother. Because of his association with the outlaws, he is often confused with the similarly named bandit Zhou Tong.
Various wuxia novels and folk legends have endowed Zhou with different kinds of martial and supernatural skills. These range from mastery of the bow, double broadswords, and Chinese spear to that of Wudang hard qigong and even x-ray vision. Practitioners of Eagle Claw, Chuojiao and Xingyi commonly include him within their lineage history because of his association with Yue Fei, the supposed progenitor of these styles. He is also linked to Northern Praying Mantis boxing via Lin Chong and Yan Qing, the adopted son of Lu Junyi. Wang Shaotang's folktale even represents him as a master of Drunken Eight Immortals boxing. However, the oldest historical record that mentions his name only says he taught archery to Yue Fei. Nothing is ever said about him knowing or teaching a specific style of Chinese martial arts.
Zhou has appeared in various forms of media such as novels, comic books, and movies. His rare 20th century biography, Iron Arm, Golden Sabre, serves as a sequel to The Story of Yue Fei because it details his adventures decades prior to taking Yue as his pupil. This was later adapted into a ten volume Lianhuanhua comic book. He also appears in a novel concerning one of his fictional martial arts brothers. He was portrayed by three different actors in a string of black and white Yue Fei films produced in the 1940's and 1960's, one of which featured a ten year old Sammo Hung as the lead. Veteran martial arts actor Yu Cheng Hui, who played the sword-wielding antagonist in Jet Li's Shaolin Temple, stated in a 2005 interview that he has always wanted to portray Zhou in a film.
Mention in Yue family memoirsEditar
On his deathbed, Yue Fei's third son Yue Lin (岳霖, b. 1130) asked his own son, the poet and historian Yue Ke (岳珂, 1183 – post 1240), to complete Yue Fei's memoirs. This two-part memoir was completed in 1203, some sixty years after the general's political execution, but was not published until 1234. It was later rewritten in 1345 and published in the Yuan Dynasty's dynastic chronology History of the Song Dynasty (宋史) under the title Yue Fei Biography (chapter 365, biography 124). Zhou is only briefly mentioned in the second paragraph of the entire work. It reads, "[Yue Fei] learned archery from Zhou Tong. He learned everything and could fire with his left and right hands. After Tong's death, he would offer sacrifices at his tomb."[a]
Western Washington University history professor Edward Kaplan explains Zhou was a "local hao" (豪 - "heroic (person)"). He comments Hao can also mean "a ‘knight errant’ in poetic translation, or in prosaic terms a professional strongman and bodyguard.’" This means Zhou was a local hero from Tangyin County, Anyang prefecture, Henan province (the same area as Yue Fei).
Historical and scholarly sources spell his personal name as 同 (Tong), meaning "same or similar". This differs from the spelling present in fictional sources, which will be further explained below. So, "周同" represents the historical archer.
Despite being literate, giving him a chance to become a scholar, young Yue Fei chose the military path because there had never been any tradition of full-fledged Confucian civil service in his family history. He would stay up all night reading military strategy books and idolized such great historical heroes as Guan Yu. However, the Yue family was much too poor to afford military lessons for their son, so Yao Dewang, the boy's maternal grandfather, hired Chen Guang (陈广) to teach the eleven year old how to wield the Chinese spear.[b] Yao was very surprised when his grandson quickly mastered the spear by the age of thirteen. Zhou was then brought in to continue Yue's military training in archery. Dr. Kaplan describes Zhou as the "most important" of the two teachers.
A section of the Jin Tuo Xu Pian, the second part of Yue Ke's original published memoir, describes one of Zhou's archery lessons and reveals that he took other children from Yue's village as his pupils:
"One day, [Chou] T'ung gathered his pupils for an archery session and to display his ability put three arrows in succession into the center of the target.[c] Pointing to the target to show grandfather [Yue Fei], he said: 'After you can perform like this, you can say you are an archer.' Grandfather, thanked him and asked to be allowed to try. He drew his bow, let fly his arrow and struck the end of T'ung's arrow. He shot again and again hit the mark. T'ung was greatly amazed and subsequently presented to grandfather his two favorite bows. Thereafter grandfather practiced still more [until] he was able to shoot to the left and right, accurately letting fly the arrow as he moved.[d] When he became a general he taught this to his officers and men so that his whole army became skilled at shooting to the left and right and frequently used this technique to crush the enemy's spirit."
The last sentence of the passage is similar to one from the Republican era Biography of Song Yue, Prince of E. It mentions how after the tutor's death, Yue taught what he had learned from Zhou to his soldiers who were victorious in battle.
Zhou continued to teach the children until his death, prior to Yue's legal adulthood. Following his passing, Yue became extremely depressed since Zhou had been the greatest influence on his early life. Zhou's student would regularly visit his tomb on the first and fifteenth of every month with sacrifices of meat and wine and would shoot three arrows in succession with one of the two bows his tutor had presented him with.[e] (It is never mentioned whether any of Zhou's other archery pupils came to visit his tomb.) Dr. Kaplan comments this continuous unusual display of mourning "went far beyond the ceremonial appropriate for even a highly respected teacher." Noted Sinologist Hellmut Wilhelm claims even though the display of grief was genuine, it was also a way of emulating the stories of his heroic idols and "[establishing himself] in the public eye." Yue's father later followed him secretly to Zhou's tomb after striking him during an argument over his melancholic behavior. There, he saw him perform the unorthodox obediences involving the meat, wine, and three arrows. When he finally confronted him, the son confessed that "his gratitude for Chou's instruction could not be requited simply by the usual first and middle of the month ceremonies and so he...shot off the three arrows to symbolize that Chou had been the source of his inspiration as an archer." Dr. Kaplan's states this happened just prior to Yue's entrance into the army and that the entire event served as a symbol for Yue's "entrance into responsible manhood."
The Chronology of Yue Wumu lists the events at Zhou's tomb happening "in 1121 when Yue was nineteen", but Yue would have been eighteen in that year since he was born on "the fifteenth day of the second month of 1103." The author of the original source material was probably using East Asian age reckoning, in which a child is already considered one year old at birth. Since Yue joined the military shortly after Zhou's death, a relative time frame can be given for when he passed away. During the early months of 1122, the Song empire mobilized its armed forces to assist the Jurchen in confronting their common enemy, the Liao Dynasty. Therefore, it appears that Zhou died in late 1121, before the call to arms was issued.
Zhou Tong's fictional life story can be pieced together from two sources: The Story of Yue Fei and Iron Arm, Golden Sabre. The Story of Yue Fei is a fictionalized retelling of Yue Fei's young life and military exploits. It was written by a native of Renhuo named Qian Cai (钱彩), who lived sometime during the reigns of Qing Dynasty Emperor Kangxi and Emperor Qianlong. A dating symbol in its preface points either to the year 1684 or to 1744. It was deemed a threat by the Qing emperors and banned during the Qianlong era. In the novel, Zhou is portrayed as an elderly widower and Yue's only military arts tutor. The General's historical spear master Chen Guang is never mentioned. Zhou teaches Yue Fei and his sworn brothers military and literary arts from chapters two through five, before his death.
In the writing of his novel, Qian Cai used a different character when spelling Zhou's given name. Instead of the original character meaning "similar," it was changed to 侗, meaning "rude or rustic." So, "周侗" represents Zhou's distinct fictional persona. This spelling has even been carried over into modern day martial arts manuals.
Iron Arm, Golden Sabre was written by Wang Yun Heng and Xiao Yun Long and published in 1986. This novel serves as a prequel to The Story of Yue Fei because it details Zhou's adventures decades prior to taking Yue Fei as his student. It follows his life as a young martial arts instructor in the Song army's Imperial guard, his struggles against the Xixia and Liao Tartar barbarian tribes and his tutelage of Water Margin bandits. The last few chapters incorporate the storyline from the four chapters that he appears in The Story of Yue Fei. This was later adapted into a ten volume Lianhuanhua-style comic book called The Legend of Zhou Tong in 1987.
Zhou is born in Shaanxi and trains in the martial arts from a young age. He is taken as one of the pupils of Shaolin master Tan Zhengfang (谭正芳) and, learning the true essence of Shaolin Kungfu, becomes proficient in things both literary and martial. Tan's other students include the future generals Jin Tai (金台) and Zong Ze (宗澤) and the future Water Margin bandits Sun Li and Luan Tingyu. As a young man, Zhou catches the attention of Judge Bao Zheng and enlists in the military as an officer. His superiors take note of his great skill after he helps his classmate General Jin battle Liao Tartars in northern China and install him as a teacher in the Capital Imperial Martial Arts School. The school has three teaching positions named in order of prestige "Heaven", "Earth", and "Man". Since he has the greatest skill, he occupies the Heaven position. He uses this post and his friendship with General Zong to get their classmate Sun Li installed as the Superintendent of Forces of Dengzhou. Sun later becomes a bandit under Chao Gai and helps defeat the evil Zhu Family, who learn military arts from his classmate Luan Tingyu.
As he grows older, Zhou becomes dissatisfied with politics because the Imperial court chooses to appease the northern barbarian tribes instead of standing against them. He then devotes himself wholeheartedly to his martial arts practice and creates several official and authoritative techniques including the "five step, thirteen lance piercing kick," which is a development of Shaolin Fanzi boxing, and the "Zhou Tong cudgel". He makes a concerted effort to transmit his martial efforts while teaching at the Imperial Marital Arts School and formally accepts two disciples: "Jade Unicorn" Lu Junyi and "Panther head" Lin Chong. Lu Junyi is a millionaire with vast land holdings and does not hold office, but Lin Chong inherits Zhou's position after his retirement, and continues to serve as the lead instructor for the 800,000 members of the Song army's Imperial Guard.
During this time, Zhou Tong also has an additional disciple named Wu Song. Wu Song becomes famous for killing a man-eating tiger with his bare hands and is appointed as a constable in his native Shandong. The county magistrate Sun Guoqin later sends Wu on a mission to Kaifeng with precious tiger bone balm in order to curry favor with influential personages.[f] During his stay in the capital, he makes the acquaintance of Zhou. Zhou finds Wu to be a man of great strength, but feels that he lacks refinement in his martial technique and, therefore, offers guidance for Wu's training. Unfortunately, these two men only interact for a brief two months before Wu has to return home, never to see Zhou again.
Following his retirement, Zhou serves for a time as an advisor to General Liu Guangshi (劉光世), whose troops are garrisoned in Henan Province. But Zhou later becomes a bandit because he aids the heroes of the Water Margin and is forced to flee from government forces. Meanwhile, he learns his elderly classmate Jin Tai is close to death and hurries to Shaolin (where the general had become a Buddhist monk after the murder of his family) to pay his last respects. As the oldest of Tan's pupils, Jin orders Zhou to find a talented youth to pass on all of his martial arts knowledge to. However, this reunion is cut short when the troops track him to Shaolin. He flees to Wine Spring mountain and lives in hiding for sometime before being invited by his old friend Wang Ming (王明) to become the precept of the Wang family in Unicorn Village.[g]
One day, Zhou surprises the children with a written exam and leaves the classroom to speak with a visitor. Wang's son, Wang Gui (王贵), tricks their maid's son, Yue Fei, into completing their assignment while they go outside to play. After easily finishing the task at hand, Yue writes a heroic poem on a whitewashed wall and signs it with his name. The children then burst into the classroom upon learning of Zhou's forthcoming return and tell Yue to escape in order to avoid apprehension. The old teacher eventually discovers the ruse and, after marveling at Yue's impromptu ballad, asks Yue to fetch his mother, Lady Yao (姚夫人), for an important meeting. With the entire Wang household assembled in the main hall, Zhou asks the Lady for her blessing to have the boy as his adopted son and student. She consents and Yue takes his seat amongst Zhou's students the following morning. Because Zhou knows Yue is poor, he commands the four students to become sworn brothers. Zhou also begins to teach Yue all of the eighteen weapons of war.
Six years later, Zhou takes the group to visit his old friend, the abbot of a small Buddhist temple on the "Hill of Dripping Water." Thirteen year old Yue wanders behind the temple and finds the "Cave of Dripping Water", in which lives a magical snake. When it lunges at Yue, he dodges to one side and pulls on its tail with his supernatural strength, causing it to turn into an eighteen foot long, gold-plated spear named the "Supernatural Spear of Dripping Water." When they return home, Zhou begins to drill all of his students in the military arts—eighteen weapons of war, archery, and hand-to-hand combat. After three years of practice, Zhou enters them into a preliminary military examination in Tangyin in which sixteen year old Yue wins first place by shooting a succession of nine arrows through the bullseye of a target two hundred and forty paces away. After his display of marksmanship, Yue is asked to marry the daughter of Li Chun (李春), an old friend of Zhou's and the county magistrate who presided over the military exams. Father and son then return home to their village.
Magistrate Li writes out a marriage certificate and dispatches a messenger to deliver the document to Yue Fei in Unicorn Village. Zhou and Yue set out at dawn and travel back to Tangyin to thank the Magistrate for his generosity and kindness. There, Li prepares a great feast for them, but when food is brought out for any servants that might have accompanied them, Zhou comments that they had come on foot without help. Li decides to let Yue pick from any one of his thousands of horses because every able military man needs a strong steed. After finishing their feast, Zhou and Yue thank Li once again and leave Tangyin to return home.
During their journey, Zhou recommends that Yue run the horse to test its speed. Yue spurs the horse on leaving Zhou in pursuit. When they reach the village gate, the two dismount and Zhou returns to his study where he feels hot from the race and removes his outer garments to fan himself. But he soon falls ill and stays bedridden for seven days. Then the book describes his death and burial:
"...his phlegm bubbled up and he died. This was on the fourteenth day of the ninth month in the seventeenth year of the Reign of Xuan He, and his age was seventy-nine ... Buddhist and Taoist Priests were asked to come and chant prayers, for seven times seven, namely forty-nine days. Then the body was taken up to be buried beside the Hill of Dripping Water."
Yue lives in a shed by his grave through the winter and in the second lunar month of the following year, his martial brothers come and pull the building down, forcing him to return home and take care of his mother.
The quoted death date is not only unreliable because the book is fiction, but also because the Xuan He reign era of Emperor Huizong lasted only seven years (1119–1125) and not seventeen. Although The Story of Yue Fei states Zhou died shortly before Yue took a wife, he historically died after Yue married. It is likely that the original author invented this fictional date.
According to The Story of Yue Fei, Zhou was married with a son. But Zhou comments that his "old wife" died and his "small son" was killed in battle against the Liaos after leaving with the bandit Lu Junyi to fight in the war. In The Legend of Zhou Tong, his wife is named Meng Cuiying (孟翠英) and his son is named Zhou Yunqing (周云清). He defeats Meng in a lei tai martial arts contest and wins her as his wife. But she is shortly thereafter kidnapped by the wicked monks of the Stone Buddha temple. Both Zhou and Meng eventually defeat the monks with their combined martial skills and later marry at the Miaochuan Pass in Hubei province.
Zhou Yunqing is a fierce youth that prefers to wield a long spear in battle. He takes a wife named Zhang Xuelian (张雪莲) shortly before standing with his father against the invading Xixia barbarian tribes. He later dies in battle against the Liao Dynasty. After his son's death, Zhou retreats to the Xiangguo Temple for a long morning period. He later takes seven year old Yue Fei as his adopted son and sole heir years after the boy's father drowns in a great flood:
"I see that [Yue Fei] is clever and handsome and I, an old man, wish to have him as my adopted son ... He need change neither his name nor his surname. I only want him to call me father temporarily so that I can faithfully transmit all the skills I have learned in my life to a single person. Later, when I die, all he has to do is to bury my old bones in the earth and not allow them to be exposed, and that is all."
However, after comparing events from The Story of Yue Fei and a account of Yue's life from the sixteenth century Popular Elucidation of the Restoration of the Song Dynasty, literary critic C.T. Hsia concluded "that his father did not [historically] die in the flood and that, although Yueh Fei showed almost filial regard for the memory of his teacher Chou T’ung 同 (not 侗), the latter had not been his adopted father." The Popular Elucidation was one of the earliest of four “historical novels” (fictionalized dynastic chronologies) written about Yue during the Ming Dynasty, all of which predate The Story of Yue Fei. Despite the addition of popular legends, Xiong Damu (fl. 1552), the author of this work, relied heavily on historical chronologies including Zhu Xi’s (1130-1200) Outlines and Details Based on the T'ung-chien, Yue Ke’s family memoir, and the Yuan Dynasty’s official Yue Fei Biography to write his story. So, The Story of Yue Fei was the first full-blown fictionalized novel to introduce the adoption storyline.
Appearance and voiceEditar
He is generally portrayed as a large elderly man with a powerful voice. A modern folktale by noted Yangzhou storyteller Wang Shaotang (1889-1968), whom folklore researcher Vibeke Børdahl called "the unrivaled master of [the 20th] century," describes Zhou thusly,
"He was beyond the age of fifty, he was more than fifty, and standing upright he measured about eight feet. His face had a golden tan, arched brows, a pair of bright eyes, a regular head form, a square mouth, a pair of protruding ears, and under his chin there were three locks of beard, a grizzled beard. On his head he wore a sky-blue satin scarf, and he was dressed in a stately sky-blue satin coat with a silken girdle, a pair of wide black trousers without crotch and satin boots with thin soles."
Heroes and religious masters with above normal height are a reoccurring theme in Chinese folklore. For instance, his student Wu Song is said to be over nine feet tall in the same folktale. In The Story of Yue Fei, the General simultaneously duels with two other warriors vying for first place in a military exam; one is nine feet tall and the other is eight feet tall. A Hagiography of the Taoist saint Zhang Daoling states he was over seven feet tall.
When Zhou is vocalized in "Yangzhou storytelling," he speaks in "Square mouth public talk," which is a manner of speaking reserved for martial heroes, highly respected characters, or, sometimes, lesser characters that pretend to be an important hero. Square mouth public talk is actually a mixture of two forms of dialogue: Fangkou and Guanbai. Fangkou (square mouth) is a manner of steady, yet forceful over pronunciation of dialogue that was possibly influenced by Northern Chinese opera. Guanbai (public talk) is monologue and dialogue that is sometimes used for "imposing heroes." This mixture of styles means Zhou Tong is treated as a highly regarded hero.
In her analysis of Yangzhou storytelling, Børdahl noted that the aforementioned tale about Zhou and Wu Song uses different forms of dialogue for both characters. Wu speaks in square mouth fashion utilizing standard mandarin without rusheng (short glottal syllables). On the contrary, Zhou speaks squaremouth, but uses the Yangzhou tone system, which does utilize rusheng syllables. Therefore, she believes “square mouth dialogue should at least be divided into two subcategories, namely the Wu Song variant—without rusheng, and the Zhou Tong variant—with rusheng."
Water Margin banditsEditar
- See also: Index of the 108 heroes
The Water Margin (circa 1400 CE) is a Ming Dynasty military romance about one 108 celestial-born men and woman who band together to rebel against the lavish Song Dynasty government. Lin Chong and Lu Junyi, two of these bandits, are briefly mentioned as being Zhou's previous students in The Story of Yue Fei. They are not characters within the main plot, though, as both are killed by "villainous officials" prior to Zhou becoming precept of the Wang household. However, the two are not among his historical students because they are fictional characters.
Zhou's portrayal as their teacher is connected to a reoccurring element in Chinese fiction where Tang and Song Dynasty heroes train under a "celestial master" prior to their military exploits. C.T. Hsia states the mold from which all other similar teachers "appear to be" cast is Gui Guzi (鬼谷子), master of the feuding strategists Sun Bin and Pang Juan,[h] from the tale Latter Volume of the Spring and Autumn Annals of the Seven Kingdoms. Hsia goes on to say that Qian Cai, Yue's fictional biographer, associated Zhou with the bandits because "most such teachers [in the military romance genre] are celestials." But in adopting this format, Qian reversed the traditional pattern of "celestial tutelage" since Zhou is written as a human, while his students are reincarnations of demons (Lin and Lu) and the celestial bird Garuda (Yue Fei).
Northern Praying Mantis Master Yuen Mankai believes Zhou taught the bandits the "same school" of martial arts that was later combined with seventeen other schools to create Mantis fist. This combination of various schools refers to an eighteenth century martial arts manual that describes the gathering of eighteen masters at the Shaolin Monastery that supposedly took place during the early years of the Song Dynasty. Lin Chong and Yan Qing are listed as two of the eighteen masters invited, which means their skills of Mandarin Duck Leg and ground fighting are treated as two separate schools, instead of one. But he believes Mantis fist was created during the Ming Dynasty, and was therefore influenced by these eighteen schools from the Song. He also says Lu Junyi taught Yan Qing the same martial arts as he learned from Zhou.
Although Lin and Lu have been connected to Zhou since the Qing Dynasty, Wu Song did not become associated with him until Wang Shaotang created a 20th century folktale in which the two meet in Kaifeng. The tale takes place during Wu's mission to Kaifeng, but before the murder of his older brother Wu Dalang. Zhou teaches Wu the "Rolling Dragon" style of swordplay during the constable's one month stay in the capital city. This tale was chapter two of Wang's "Ten chapters on Wu Song" repertoire, which was transcribed and published in the book Wu Sung in 1959. It was later carried over into the storyline of Iron Arm, Golden Sabre and, subsequently, The Legend of Zhou Tong.
Wang’s tale portrays Zhou as an aging itinerant swordmaster with "a fame reverberating like thunder" throughout the underworld society of Jianghu. He is made the sworn brother of the bandit "Flowery Monk" Lu Zhishen, a military officer-turned-fighting monk, who is, according to Hsia, first among the most popular protagonists of the Water Margin. He is also given the nickname "Iron Arm" (铁臂膀), which carried over into the title of his fictional biography Iron Arm, Golden Sabre. The tale fails to explain the reason for the moniker, but it does mention Zhou's ability to direct his qi to any part of his body to make it hard enough to overpower the "Iron shirt" technique of another martial artist. Further more, Zhou shares the same nickname with Cai Fu, an executioner-turned-bandit known for his ease in wielding a heavy sword.
Because of his association with these bandits, Zhou is often confused with the similarly named "Little King" Zhou Tong. In the Water Margin, this Zhou Tong is a bandit chief of Peach Blossom Mountain who gets beaten up by Lu Zhishen for trying to forcibly marry the daughter of the Liu family. He later he dies under the sword of Li Tianrun, an officer in the rebel army of Fang La. So, the connection between both Zhou's is by the English transcription of their name only.
- Main gallery: Yue Fei.
The Story of Yue Fei comments Lu Junyi is Zhou's last student prior to taking on seven year old Yue Fei and his three sworn-brothers Wang Gui, Tang Huai (湯懷) and Zhang Xian (張顯). He teaches them literary and military lessons on even and odd days. The novel says Yue is talented in all manners of "literary and military matters" and even surpasses the skill of Lin and Lu. After Yue acquires his "Supernatural Spear of Dripping Water", Zhou tutors all of his students in the eighteen weapons of war, but each excels with one in particular; Yue Fei and Tang Huai, the spear; Zhang Xian, the "Hook-Sickle" spear and Wang Gui, the Yanyue Dao. All of them learn the skill of archery in addition. Some of these and other children are mentioned in Yue Ke's memoir as being his grandfather's historical childhood friends, but they are never specified as being Zhou's students.
Non-scholarly sources written by modern-day martial artists make many claims that are not congruent with the official and family histories. For instance, Dr. Yang Jwing-Ming says Yue became Zhou’s student after working as a tenant farmer for the official-general Han Qi (韓琦, 1008–1075). During this time, he supposedly learned all types of military weapons, horseback riding, and hand-to-hand combat. The General later created Xingyi and Eagle Claw boxing from his internal and external training under Zhou. This is, however, a chronological anachronism since Han Qi died almost 30 years before Yue's birth. Yue historically worked as a tenant farmer and bodyguard for descendants of Han Qi in 1124 after leaving the military upon the death of his father in late 1122, but he learned from Zhou well before this time.
Eagle Claw Grandmasters Leung Shum and Lily Lau believe Zhou, known in the cantonese rendering "Jow Tong," was a monk who trained young Yue Fei in the noted Shaolin Temple. The legend says the monk taught the boy an ancient joint-locking style known as "elephant" and Yue later refined it to create his Ying Kuen (Eagle Fist). Liang Shouyu states practitioners of Emei Dapeng Qigong believe Yue trained under Zhou as a child and competed to become China’s top fighter at an early age. Their lineage story dictates Zhou also took Yue to a "Buddhist hermit" who taught him said qigong style. Yuen Mankai says Zhou taught him the "same school" of martial arts as he did the bandits and that the General was the originator of the mantis move "Black Tiger Steeling Heart." Although Martial arts historian Stanley Henning admits that Yue's biographies do not mention boxing, he says "[Yue] almost certainly did practice some form of bare handed fighting" to prepare for his training in spearplay and archery.
- Main gallery: Martial arts of Zhou Tong.
There is insufficient historical evidence to support the claim he knew any skills beyond archery. Contemporary records never once mention Zhou teaching Yue boxing. Despite this, various wuxia novels and folk legends have attributed many different military and supernatural skills to Zhou. These range from mastery of the bow, double swords and Chinese spear to that of Wudang hard qigong, Chuojiao boxing and even X-ray vision.
Zhou can also be linked to these combat arts through his historical and folklore students. Practitioners of Eagle Claw, Chuojiao and Xingyi commonly include him within their lineage history because of his association with Yue Fei, the supposed progenitor of these styles. He is also linked to Northern Praying Mantis boxing through Lin Chong and Yan Qing, the adopted son of Lu Junyi. Wang Shaotang's folktale even represents him as a master of Drunken Eight Immortals boxing.
Very few references are made to the people who supposedly taught martial arts to Zhou. In The Legend of Zhou Tong, he learns as a child from a Shaolin master named Tan Zhengfang. Practitioners of Chuojiao claim he learned the style from its creator, a wandering Taoist named Deng Liang. Practitioners of Geok Gar Kuen, a style attributed to Yue Fei, believe he studied under Han De, a "chivalrous person" from Shaanxi.
In popular cultureEditar
- Main gallery: Media about Zhou Tong.
Zhou has appeared in various kinds of media including Novels, comic books, and movies. Apart from The Story of Yue Fei and Iron Arm, Golden Sabre, he appears in a novel based around his older martial arts brother, Jin Tai. Screen actors who have portrayed Zhou in film's from the 1940's and 1960's include Wong Sau Nin, Li Ming, and Jing Ci Bo. Jing starred alongside a ten year old Sammo Hung, who played young Yue Fei. Veteran martial arts actor Yu Cheng Hui, who played the sword-wielding antagonist in Jet Li's Shaolin Temple, stated in a 2005 newspaper interview that he never shaved his trademark beard, even at the request of movie producers, because he wanted to portray Zhou in a future film. He went on to say "He is an outstandingly able person from the northern and southern Song Dynasties and many Water Margin heroes are his disciples. This person is very important in the martial arts and many people want to portray him in films."[i]
- ↑ 1,0 1,1 1,2 Wang, Yun Heng (汪运衡) and Xiao Yun Long (筱云龙). Iron Arm, Golden Sabre: The Biography of Zhou Tong (铁臂金刀周侗传). Hangzhou: Zhejiang People's Publishing House, 1986 (UBSN - CN (10103.414) and 464574)
- ↑ 2,0 2,1 Børdahl, Vibeke. The Oral Traditions of Yangzhou Storytelling. Richmond, Surrey: Curzon Press, 1996 (ISBN 0-7007-0436-1), pg. 376
- ↑ 3,0 3,1 3,2 3,3 Wang Shao-t’ang (王绍堂). Wu Sung (武松). Nanking: Kiangsu wen-yi ch’u-pan-she, 1959), vol. I, chap. 2, sec. 7,
- ↑ Kaplan, Edward Harold. Yueh Fei and the founding of the Southern Sung. Thesis (Ph. D.) -- University of Iowa, 1970. Ann Arbor: University Microfilms International, 1970., pp. 10-12
- ↑ 5,0 5,1 5,2 5,3 5,4 5,5 Hsia, C.T. C. T. Hsia on Chinese Literature. Columbia University Press, 2004 (ISBN 0231129904), pp. 448-449, footnote #31
- ↑ 6,0 6,1 Qian, Cai. General Yue Fei. Trans. Honorable Sir T.L. Yang. Joint Publishing (H.K.) Co., Ltd.,1995 (ISBN 978-962-04-1279-0), pg. 39
- ↑ 7,0 7,1 Plantilla:Pt icon Rodrigo Wolf Apolloni. Shaolin to Brazil: Study on the Presence and Transformation of Eastern Religious Elements in Kung Fu Practiced in Brazil (thesis) (PDF). The Pontifical Catholic University of São Paulo. Retrieved on 2007-07-17. See number 6 on pg. 4. Notice the author portrays him as the bandit from the Water Margin and spells his name as 周通, instead of the correct 周同 (historical) or 周侗 (fictional).
- ↑ 8,0 8,1 Børdahl, 1996: pg. 373
- ↑ 9,0 9,1 Yue, Ke (岳柯). Jin Tuo Xu Pian (金佗续编), 1234 - Chapter 28, pg. 16
- ↑ 10,0 10,1 10,2 Xiong, Ti (匈棣). The Legend of Zhou Tong (周侗传奇) (Vol. 1-10). Zhejiang Literature and Art Publishing House (浙江美术 出版社), 1987
- ↑ 11,0 11,1 Lou, Yun He (楼云和). Jin Tai Fights the Shaolin Monastery Three Times (金台三打少林寺). Zhejiang Literature & Art Publishing House (浙江文艺出版社), 1986
- ↑ 12,0 12,1 12,2 (Chinese) Yue Fei Chu Shi. China Movie DataBase. Retrieved on 2007-07-17.
- ↑ 13,0 13,1 Yu Cheng Hui. Hong Kong Cinémagic. Retrieved on 2007-07-17.
- ↑ 14,0 14,1 14,2 (Chinese) Liang Lijie. Shandong actor would like to portray Zhou Dong and make him popular. Populace daily paper. Retrieved on 2007-07-17.
- ↑ Kaplan: pg. 16
- ↑ B. J. ter Haar. Newly Recovered Anecdotes from Hong Mai's (1123-1202) Yijian zhi (PDF). Sinological Institute, Leiden. Retrieved on 2007-07-17.
- ↑ Kaplan: pg. 2
- ↑ Wilhelm, Hellmut. "From Myth to Myth: The Case of Yueh Fei’s biography," in Confucian Personalities, ed. Arthur Wright and Denis Twitchett. Stanford studies in the civilizations of eastern Asia. Stanford, Calif: Stanford University Press, 1962 (ISBN 0804700443), pg. 147
- ↑ Toktoghan (脫脫). History of the Song: Yue Fei Biography (宋史·岳飞传) (Volume 365), 1345. A rewritten version of Yue Ke's memoir. (See also, 岳飞子云 (Chinese). Retrieved on 2007-07-17.)
- ↑ Selby, Stephen. Chinese Archery. Hong Kong: Hong Kong University Press, 2000 (ISBN 9622095011), pg. 258
- ↑ 21,0 21,1 21,2 21,3 Kaplan: pg. 10
- ↑ Foster, Robert W. “Yue Fei, 1103-1141” in The Human Tradition in Premodern China. Human tradition around the world, no. 4, ed. Kenneth James Hammond. Wilmington, Del: Scholarly Resources, 2002. (ISBN 0842029591), pg. 95
- ↑ Kaplan: pg. 5
- ↑ 24,0 24,1 24,2 Wilhelm: pg. 149
- ↑ 25,0 25,1 25,2 Kaplan: pg. 13
- ↑ 26,0 26,1 Qian, Ru Wen (钱汝雯). Biography of Song Yue, Prince of E (宋岳鄂王年), 1924
- ↑ 27,0 27,1 27,2 Kaplan: pg. 11
- ↑ Li, Hanhuan (李汉魂). Chronology of Yue Wumu (岳武穆年谱). Shanghai: Shangwu Press, 1947 - Chapter 4, pg. 3b
- ↑ 29,0 29,1 Kaplan: pg. 12
- ↑ Li, 1947: pg. 9
- ↑ Kaplan: pp. 3-4
- ↑ DeFrancis, John. ABC Chinese-English dictionary: alphabetically based computerized. Honolulu: University of Hawai'i Press, 1996 (ISBN 0824817443), pg. 696
- ↑ Kaplan: pg. 32
- ↑ Degkwitz, Jochen. Yue Fei und sein Mythos. Die Entwicklung der Yue-Fei-Saga bis zum, Shuo Yue quan zhuan, Chinathemen 13, edited by Helmut Martin, Volker Klapsch and Martin Krott (Bochum: N Brockmeyer, 1983 (ISBN 3883393215), pg. 69
- ↑ Degkwitz: pp. 116-131
- ↑ Qian: pp. 24-57
- ↑ 37,0 37,1 Liang, Shou-Yu and Dr. Yang, Jwing-Ming. Xingyiquan: Theory, Applications, Fighting Tactics and Spirit. Boston: YMAA Publication Center, 2002. (ISBN 978-0-940871-41-0), pg. 15
- ↑ Yuen, Man Kai. Northern Mantis Black Tiger Intersectional Boxing. Wanchai, Hong Kong: Yih Mei Book Co. Ltd., 1991 (ISBN 962-325-195-5), pg. 5-6
- ↑ Qian: pp. 24-56
- ↑ Qian: pg. 57
- ↑ Li, Feng. Landscape and Power in Early China: The Crisis and Fall of the Western Zhou 1045-771 BC. Cambridge University Press, 2006 (ISBN 0521852722), pg. 325
- ↑ Qian: pg. 24
- ↑ 43,0 43,1 Qian: pg. 25
- ↑ Xiong: Vol. 2 and 8
- ↑ Xiong: Vol. 2, pp. 68-75
- ↑ Xiong: Vol. 2-6
- ↑ Xiong: Vol. 6
- ↑ Xiong: Vol. 8
- ↑ Qian: pp. 33-34
- ↑ 50,0 50,1 Chang, Shelley Hsueh-lun. History and Legend: Ideas and Images in the Ming Historical Novels. University of Michigan Press, 1990 (ISBN 047210117X), pg. 10
- ↑ Chang: pg. 103
- ↑ Doniger, Wendy. Merriam-Webster's Encyclopedia of World Religions; Wendy Doniger, Consulting Editor. Springfield, Mass: Merriam-Webster, 1999 (ISBN 0877790442), pg. 238
- ↑ Børdahl, 1996: xxv
- ↑ Børdahl, 1996: pp. 366-367
- ↑ Børdahl, 1996: pg. 370
- ↑ Qian: pg. 102
- ↑ Wong, Eva. Tales of the Taoist Immortals. Boston, Massachusetts: Shambhala Publications, Inc., 2001 (ISBN 1-57062-809-2), pg. 77
- ↑ Børdahl, 1996: pp. 92 and 94
- ↑ Børdahl, 1996: pg. 84
- ↑ Børdahl, 1996: Footnote #38, pg. 84
- ↑ Vibeke Børdahl. The Voice of Wang Shaotang in Yangzhou Storytelling (PDF). Danish Institute for Advanced Studies in the Humanities. Retrieved on 2008-03-02., pp. 27 and 38–39
- ↑ Liu, 1967: pp. 108-116
- ↑ C.T. Hsia. The Classic Chinese Novel: A Critical Introduction. Cornell University East Asia Program, 1996 (ISBN 1885445849), pg. 83
- ↑ 64,0 64,1 Hsia, 2004: pp. 140
- ↑ Hsia, 2004: pg. 149
- ↑ Shi: pp. 14-16
- ↑ Hsia, 2004: pp. 149 and 154
- ↑ Yuen: pg. 7
- ↑ "Luohan Xinggong Duan Da". Journal of Sport History and Culture (体育文史), No.1, (2001). P.36-37,9 (ISSN 1671-1572)
- ↑ 70,0 70,1 70,2 Yuen: pg. 8
- ↑ Børdahl, 1996: pg. 365
- ↑ Børdahl, Vibeke. Four Masters Of Chinese Storytelling: Full-length Repertoires Of Yangzhou Storytelling On Video. Nordic Institute of Asian Studies; Bilingual edition, 2004 (ISBN 8-7911-1464-0), pg. 166
- ↑ Xiong: Vol. 10
- ↑ Hsia, 1996: pg. 85
- ↑ 367-368
- ↑ Shi: pg. 1320
- ↑ Shi, Naian and Luo Guanzhong. Outlaws of the Marsh (Vols. 1-4). Trans. Sidney Shapiro. Beijing: Foreign Languages Press, 2001 (ISBN 7119016628), pg. 113-114
- ↑ Shi: pg. 2003
- ↑ Qian: pp. 39-40
- ↑ Kaplan: pg. 8
- ↑ Shao Xiaoyi. Yue Fei's facelift sparks debate. China Daily. Retrieved on 2007-08-09.
- ↑ 82,0 82,1 Liang, 2002: pg. 15-16
- ↑ 83,0 83,1 Wilhelm: pg. 150
- ↑ Kaplan: pg. 37
- ↑ Liu, James T. C. "Yueh Fei (1103-41) and China's Heritage of Loyalty." The Journal of Asian Studies. Vol. 31, No. 2 (Feb., 1972), pp. 291-297, pg. 291
- ↑ 86,0 86,1 Leung, Shum and Jeanne Chin. The Secrets of Eagle Claw Kung Fu: Ying Jow Pai. Tuttle martial arts. Boston: Tuttle Pub, 2001 (ISBN 0804832153), pages 13 and 15
- ↑ Lily Lau and Cindy Lee (July 28 2007). Eagle Claw Fan Tsi Moon & Lau Fat Mang's History - Part I. Kung Fu Magazine. Retrieved on 2007-07-17.
- ↑ Liang, Shou-Yu, Wen-Ching Wu, and Denise Breiter-Wu. Qigong Empowerment: A Guide to Medical, Taoist, Buddhist, Wushu Energy Cultivation. The Way of the Dragon, Limited, 1996 (ISBN 1-8896-5902-9), pg. 321
- ↑ 89,0 89,1 Henning, Stanley E., M.A. "Chinese General Yue Fei: Martial Arts Facts, Tales and Mysteries". Journal of Asian Martial Arts. Vol. 15 #4, 2006: 30-35, pg. 32
- ↑ 90,0 90,1 90,2 Chuo Jiao Fist. Plum publications. Retrieved on 2008-03-03.
- ↑ Fan Keping. Wutang Golden Bell. Nanjing Chinese Traditional Wushu Group. Retrieved on 2008-03-03.
- ↑ Børdahl, 1996: pp. 373–374
- ↑ Xiong: Vol. 1, pg. 8
- ↑ Master Zhang Han Xiong. A Brief History of Penang Yue Fei Martial Art Centre. Martial Arts Gathering. Retrieved on 2007-07-17.
- ↑ (Chinese) 岳飞 (1940) (The general). China Movie Database (CMDB). Retrieved on 2007-10-31.
- ↑ (Chinese) 尽忠报国 (1940). China Movie Database (CMDB). Retrieved on 2007-10-31.
|• c)^||Shooting three successive arrows was known as "three-in-row", which was one of the "Five Archery Techniques" according to the Tang Dynasty archery manual of Wang Ju (王琚) (Selby: pg. 202)|
|• d)^||This sentence refers to a technique taught to Song archers that involved them "[moving] their feet in co-ordination with their draw so that they could advance or retreat and shoot at the same time." (Selby: pg. 242)|
|• e)^||This means the tomb was somewhere close to the Yue family village.|
|• f)^||Iron Arm, Golden Sabre retcons the reason why Wu Song travels to Kaifeng. In the Water Margin, the county magistrate sends Wu Song to the capital to deliver a load of gold and silver to his family in order to buy him a higher government post. (Shi: pg. 489)|
|• g)^||Iron Arm, Golden Sabre also retcons the reason why Zhou travels to Henan to see his friend Wang Ming. In The Story of Yue Fei, Zhou originally travels to Henan to inspect land purchased with earnings saved from teaching military skills to the millionaire Lu Junyi. Wang Ming then talks him into taking his son and other children in the village as his students. (Qian: pp. 24-25)|
|• h)^||As shown by C.T. Hsia, students who train under celestials eventually come at odds with each other. (Hsia, 2004: pg. 146) However, this does not happen with Lin, Lu, and Yue Fei, as the bandits are killed off prior to Zhou becoming the precept of the Wang household. (Qian: pp. 25)|
|This article contains Chinese text. Without proper rendering support, you may see question marks, boxes, or other symbols instead of Chinese characters.|
- Stories of Loyalty - This google book scan shows a very brief illustrated Yue Fei biography with drawings of Zhou.
- Swordplay under the Moon – Another name for the tale about how Wu Song comes to learn swordplay from Zhou. Go to the bottom of the page for the choice of reading a snippet of the tale or watching a short clip of the verbal performance.
- The Legs of the Bonze Zhoutong, from the Shaolin monastery. This page claims Zhou created a leg-oriented boxing style as a Shaolin monk and later passed it onto the Water Margin bandit Wu Song.